Movie Review – Wonder Woman

My attempt at the theme Hans Zimmer did: DANANA NA NA NANANA NANA NANANA NANA NAAAAAAAA

[THERE WILL BE NO SPOILERS OF MAJOR PLOT DETAILS IN THIS REVIEW]

“Wonder Woman” is the fourth movie in the DC Extended Universe (DCEU) and it stars Gal Gadot as Princess Diana of Themyscira. The film is directed by Patty Jenkins and also features Chris Pine as Steve Trevor, and Connie Nielsen as Queen Hippolyta.

The best part of walking away from this movie was the sense of wonder (ha) that I felt as a DC fan and someone who wants to see Hollywood reflect diversity. Almost everything about this movie worked so well for me, and I’m incredibly happy to announce that “Wonder Woman” is the first great DC movie I’ve seen since I was in high school. I love the MCU and what they’ve been doing, and my only wish was that my DC characters would get the same treatment. In this movie, they accomplished this thanks to great direction, character moments, acting, and well shot sequences.

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If you didn’t already know, this movie takes place in World War I, similar to “Captain America: The First Avenger” taking place in WW2. Diana receives a photo from Bruce (the same one he discovered in “Batman v Superman”…the one found on…*long sigh*…Lex Luthor’s drive…ugh, that movie) and the entire movie becomes a flashback that Diana is having about her first time experiencing our world. I actually liked this little detail because it helps the DCEU do some universe-building to see the Wayne Enterprises logo and a friendship between Bruce and Diana. Unfortunately, we do get somewhat of a slow start, but it was a slow start that felt necessary as the story progressed. Anyway, on to the rest of the movie!

There are three major action sequences in this movie, and 2 of them made my jaw drop. The first is on Themyscira itself, where Steve Trevor lands on the beach and brings a bunch of angry Germans with him. Not only does every shot of Paradise Island look amazing…but this fight on the beach was fantastic and emotions ran high between the characters. The third sequence, I’ll admit, got a little too CGI heavy and reminiscent of the Doomsday fight in “BvS”. The only reason I was invested in it was because I cared about the characters (more on that later). However…the second big action sequence in this movie…I was speechless. This takes place in the trenches and Diana decides it’d be a great idea to charge in by herself on to No Man’s Land. Every single shot and all the action in this scene…I still don’t know how to put it into words. This is on par with the Airport scene in “Civil War” or the warehouse scene in “BvS”. Not only was the action amazing, but you saw the character’s personality shine through her fighting methods. This is the first major fight Diana has been in, and you really get to see that through her confidence, bravery, and use of every weapon in her arsenal. Even the way she looks at the German soldiers right before pummeling them makes me think “yep, that’s Wonder Woman”, which brings me to my next point.

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Because I’m 22 and was a kid when the DC animated universe was big, my bar for the DCEU has always been to compare it to that. Because of this, Affleck WAS Batman to me…everything he said and did just screamed “Batman: The Animated Series” or “Justice League” to me. This is the exact way I feel about Gadot as Wonder Woman…as in she IS Wonder Woman. The combo of Jenkins’ direction and the casting of Gadot was fantastic, as she really portrays the innocence, curiosity, and grace that Diana would have when first coming to the world of men. Pair that with Chris Pine’s portrayal of Steve Trevor and you have sparks flying off of the screen. What made the movie for me were these little moments we had with the two, both being fish out of water in each other’s worlds. These moments where he teaches her how to dance, where Steve gets hit with the lasso of truth, where Diana tries ice cream for the first time (straight from the New 52, I love it) are just so refreshing. I’m glad to see more and more superhero movies doing this, because we watch these movies for the characters, and we need to see these little moments that humanize such heroic characters like Wonder Woman.

Aside from the actors capturing the feelings of these characters in each scenario, Diana (and in turn, the audience) gets a realistic view of how horrible World War I was. If you’re not a history nerd, World War I was especially gruesome because its when warfare started to “modernize” and use chemical weaponry and weapons that could simply kill a huge amount of people in one sitting. Diana gets to see things like this and the horror on everyone’s faces, and the fact that so much blind hate can exist among men. I’m actually glad they used WWI because we don’t see much of it in film these days and people forget just how insane it was.

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Despite my praise for this movie, I think it did falter a little in the third act. Think of a majestic swan that takes off slowly, flies gracefully for a long time, but then trips just a little bit on the landing before sticking it….that’s the best way I can describe it without spoiling anything. Despite this, I’ve mentioned before that the messy third act didn’t ruin the fact that I was already so immersed, because we still get amazing character moments. Alas, like many comic book movies nowadays, the villain wasn’t really anything special and seemed a little disposable. It was cool to see some things that I never thought I’d see as a comic fan on the big screen, but I still felt a little bummed about the lack of impact this villain is going to have in the overall DCEU. Additionally, the writing sometimes goes for low hanging fruit when it comes to some of the humor and lines, although not as much as previous titles in the DCEU (what is this, some kind of…stab at “Suicide Squad”?). Regardless, the movie ends well and I was overjoyed to see that critics and audiences both loved it.

Not to sound too optimistic, but “Wonder Woman” will light a fire in Hollywood and I hope it becomes clear that audiences want more blockbuster movies to be like this, be it because of the female lead, the character moments, or whatever else charmed you during this film. Gadot brings justice (ha) to a beloved DC character and regardless of if you’re a DC fanboy/girl or just love fun movies, I highly recommend seeing this movie in theaters.

Wonder Woman gets an 8.5/10

Guest Post – Prometheus: A Study in Villainy

Always 10 steps ahead.

This piece is written by my good friend Uday, and I’m thrilled to have him contribute the first guest post on Soggz Blogs! Uday Mehta is an engineer, columnist, podcaster, and aspiring author. He writes for ‘Eudaymonia’, hosts ‘Coming Soon’, and in his spare time works with radioactive waste management at Lawrence Livermore National Lab. He has a Bachelor of Science in Nuclear Engineering from UC Berkeley. Be sure to check out Uday’s podcast over at this link! A familiar name may or may not be appearing on it soon…
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A show like Arrow is fundamentally designed for different audiences than any other show on television – coming before its Arrowverse counterparts, it had the luxury of picking its niche. The Flash has its roots in nerd-dom and comic book storyline that fuse with a soap opera relationship vibe. Legends of Tomorrow is a fun ensemble show where you can watch a single standalone episode and enjoy it. Supergirl is a fresh, pleasant escape.

But Arrow attempts to satisfy the most difficult demographic – the generic superhero fan. The fan that can range from a die-hard comic book consumer to a middling cinematic admirer to a casual action aficionado. These are the same group of fans that are uniquely split on the primary love story, the same ones that argued the merits of the villains while also somehow agreeing on the need for a better protagonist arc. And this season, it’s that second point of debate that turned from just that – a debate – to acclaim. after 1.5 to 2 (depending on which of those fans you ask) lackluster to mediocre seasons, the consensus is that the show has offered up a contender for its best season yet.

Prometheus – the throwing-star killer – serves as this season’s big bad, a villain that on the surface seems to hold no more or no less appeal than Ra’s Al Ghul or Damien Darhk, the respective final bosses for Seasons 3 and 4. In terms of history, he’s somewhere in the middle of Ra’s famed comic track record (including a headlining villain role in Batman Begins and an upcoming appearance in Gotham) and Damien Darhk’s relative obscurity. With respect to ability, he’s once again right in the middle, his shurikens likely more than a match for Ra’s’ fighting prowess and Darhk’s magic. But it’s not like executive producer Marc Guggenheim just struck gold with this actor or his ability – Prometheus serves as an example that when the show defines the character, it creates a far superior product than when the character defines the show.

Think of all the great villains in movie and TV history – Vader. Moriarty. The Joker. Even Dolores Umbridge from Harry Potter. Throw in Loki since we need a Marvel representative (we see you sitting on that damn chair, Thanos). Every one of these characters, if written slightly differently, could have been antiheroes. But the way they are, they’re a little bit more ‘anti’ than ‘hero’ and it’s because they’ve managed to follow this archetype to a t.

Through the 23-episode gauntlet, the curtain is slowly drawn back on Prometheus. Shrouded – literally, with his scary black garb – in mystery from his first extended appearance a fifth of the way in, more is gradually revealed about him all the way through ‘til the end. He isn’t dragged out for public consumption from the beginning, a la Darth Maul, nor does he end his arc by remaining an unknown quantity. From the explanation of his name (a reference to challenging the Gods), to his literal unmasking – which the show doesn’t play around with, considering Prometheus’ identity is revealed to Arrow not too long after it’s revealed to the audience – to the final control of his own destiny, Prometheus maintains a firm grip on how the protagonist and the audience see him.

Prometheus was truly formidable, but more importantly he was consistently formidable. Damien Darhk’s totem powers were flexible dependent on the plot, and his organization H.I.V.E. would conveniently ‘go to ground’ when Team Arrow needed a few episodes to recoup. Ra’s could seemingly ‘kill’ Oliver effortlessly halfway through his season, but was killed just as easily in the finale with his weapon of choice (a sword, as opposed to Arrow’s… arrows) and hundreds of years’ more experience. It was one of the defining marks of the Jason Bourne franchise – Bourne was so much better than everybody else, and they never strayed from that. It stands in stark contrast to the Flash’s powers – where the show changes the rules to fit whatever villain they’re fighting, letting the character define the show. Prometheus was never solely a physical adversary, but one strengthened by motivation, something that can’t be said of the previous two.

Many writers make a genuine effort to make villains ‘relatable’, but end up conflating that term with ‘vulnerable’. We don’t need to see that the bad guy can be defeated until he’s actually defeated, because then he stops being bad. He goes from Agent Smith from The Matrix to Agent Smith from The Matrix: Reloaded, where they just copy him a hundred times, effectively making him faceless. While Prometheus doesn’t get a win every episode, the losses he takes avoid uncovering any true weaknesses that he’s had. The true standard of relatability is when you can see the character’s point of view and think, ‘yeah, I could go for that’ – akin to Khan from Star Trek: Into Darkness. By not overplaying the dead-father cliché, coupled with his connection to Arrow’s fundamental premise (Prometheus is to ‘You have failed this city’ as Game of Thrones’ Petyr Baelish is to the death of Jon Arryn), the show is able to cultivate relatability without making him seem like ‘just one of us’.

None of these elements had anything to do with the plot, or the character’s actions, or even his dialogue, but how he was portrayed thematically throughout. His character was developed on a level akin to that of a hero’s, perhaps more so than Oliver himself. Which was necessary, because pure, unadulterated evil is at its core somewhat boring. It’s a good thing that Prometheus – and Arrow – didn’t stoop to such a level.

Welcome back, kid.

The Lego Batman Movie – Movie Review

First Lesson: Life Doesn’t Give you Seat-belts

In 2014, Warner Animation Group gave us a movie that most of us thought would just be a shameless plug to sell some plastic toys…and we were right, in a sense. The only thing was that none of us expected what we got: An amazing animated movie with a great voice-acting cast, pristine animation, and an actual plot that made some adults cry like babies and made other adults buy new lego sets (the latter for me, personally). Out of all the funny lego characters we got, Will Arnett’s hilarious narcissistic and edgy take on Batman stood out in that movie…so much that here we are in 2017 with the spin-off “Lego Batman” movie, and a “Lego Ninjago” movie coming soon as well.

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Because “The Lego Movie” revolved around original characters like Emmett, Lord Business, etc, The comedy in that movie had to also have a sense of originality and had to come from the situations that the characters were in. With a property like Batman that’s been having its own movies since the 60’s, however, that wasn’t as necessary. Reviewing and recommending this movie is fairly simple: IF you like self-referencing humor and the Batman films, you will absolutely love this movie. This movie is a spoof of the property, made obvious through the medium of legos and the animation style. The more Batman you’ve seen, the better. If the Batman films and comics are always fresh in your head, you will catch all the humor and it will be a delight.

Aside from that, just wanted to mention a few things I liked and noticed:

  • This movie BARELY takes a break. It is joke after punchline after pun after self-burn after…you get the idea. If you’re in a low energy mood, this is NOT the film for you. I personally wish I wasn’t as tired when I saw it, I probably would’ve enjoyed it even more. There is a slower section in the 2nd act, but it is mainly to focus on the story…which even comedic movies need, so no complaints there.

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  • Dear Lord, some of these references were just marvelous (DCous?…get it?..sorry). There’s the things you would expect them to make fun of (Suicide Squad, BvS, Shark-Repel-ant, Batman brooding) and then there’s some stuff that I haven’t heard been referenced in a while. One of my personal favorites was Joker explaining his plan to a Security Guard, and the guard telling him its going to fail so he brings up some of Joker’s other failed plans…specifically “That one time with the parade and the Prince music” (Burton’s Batman movie in 1989). I couldn’t hold in my laughter during some of these even if I was one of the only ones laughing.
  • The dynamic with Joker wanting Batman’s attention like an overly attached crush was one of the best parts of the movie. It was just really funny to see a spoof of Joker having a purpose, I honestly didn’t expect that much thought to go into this when they just as easily could’ve went: “Oh Joker’s crazy anyway, lets just have him do clown things and focus the movie more on Batman giving one-liners”…but wow, they actually gave the audience something to work with and it’s great.

You probably saw this coming already, but since I love spoofs and meta-jokes, and since you all know my feelings about Batman as a superhero, I’m giving the Lego Batman movie a 9/10. 

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This was no doubt a shorter review since there wasn’t much to go into, but expect a longer review for “Logan” which comes out in about a month…which I am SO excited for. It took me a while to get started for 2017, but be on the lookout because some cool stuff that is out of the usual realm of film reviews is coming soon. Thanks for reading!

That’s all for now,
Soggz Out!

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Invasion! (The CW’s DCTV Crossover) – TV Review

As many of you know, the CW is currently home to four different DC Superhero shows: Supergirl, The Flash, Arrow, and Legends of Tomorrow. Even though I’m aware that most of my readers and friends only stick to watching Barry screw timelines on “The Flash”, that would still mean they were aware that this was happening due to all the marketing and effort the CW has put out for this crossover event. Despite the four shows attracting different audiences and receiving very different reception (I’m not going to open the can of worms that is “Arrow”‘s 4th season…at least not on this review), I’ve gotta say I’m a fan of this crossover event and I enjoyed a vast majority of it.  

DC managed to find their strength when it comes to live action media, and that strength happens to be making corny, fun, awkward, and exciting TV shows over at the CW. I stuck with “Flash” and “Legends of Tomorrow” since day 1, had to catch up on “Arrow” before its 3rd season and went from there, and I haven’t had the chance to check out “Supergirl”…but man oh man, I enjoyed almost EVERYONE in this crossover. The four episodes managed to entertain me and actually have implications and consequences for the individual plot-lines of each show. I’m really excited about this, so I’m going to go into spoilers and talk about each of the 4 episodes briefly. Here it goes!

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All of the hype.

[SPOILERS START HERE]

 

Supergirl – Okay so a lot of people missed this, but it was already revealed that this episode of Supergirl would serve as a “small prologue” for the crossover rather than being the actual first part of it. I know some people feel like they got tricked into watching an episode of Supergirl when they didn’t want to…but honestly I could watch Melissa Benoist any time of the day and never complain…siiiiigh…..Huh, what? Oh, right, the review. Basically we get an episode of Supergirl that gives some insight into her personality and her world until the last 30 seconds where Barry and Cisco show up and tell Kara that her help is needed on their earth. Yeah, that’s pretty much it.

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If I had a type…yeah…in case anyone was wondering…

Flash – So THIS is where the crossover really starts. We’re introduced to The Dominators, a group of aliens that have attacked earth before and do not come in peace. The all-star team is assembled and consisting of: Flash, Green Arrow, Spartan, Speedy, Supergirl, Heatwave, Atom, White Canary, Firestorm, Overwatch, and Vibe….aka (respectively) Barry, Oliver, Diggle, Thea, Kara, Rory, Ray, Sara, Jax/Martin, and (unfortunately) Felicity and Cisco (who’s basically the Felicity of “Flash” right now). Barry, Oliver, Jax, and Martin stay back to talk while the rest of the team goes out on reconnaissance, which gives us a scene here with the Future Barry’s message (revealed in Legends of Tomorrow) and the consequences of Flashpoint being realized by everyone in this universe. This was great because we really get to see Barry appear to be the “villain” in this group of heroes after he’s been looked to as an amazing guy this entire time…it shows that Barry is flawed and now even his friends are beating up on him rather than just himself. There’s a scene here where Oliver explains the deaths of his parents to Barry…and boy, that gets intense. The chemistry between Stephen Amell and Grant Gustin has never been stronger than it was in all the crossover episodes, and I REALLY hope we see these two interact more often. The episode wraps up with Barry and Oliver freeing the rest of the team from the Dominators’ mind control devices, only for five members of the team to be immediately abducted by a Dominator ship.

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Quicksilver who?

Arrow (Happy 100th episode!) – I’m going to be honest, this show hasn’t had an episode this good since season 2. The 100th episode of Arrow reminded me of why I stick with it: for moments like the ones we saw here. Oliver, Ray, Sara, Diggle, and Thea all end up in a shared hallucination that represents their ideal lives. Oliver is marrying Laurel (IT’S WHAT I WANTED ALL ALONG), Thea and Oliver’s parents are still alive, Ray is engaged to Felicity, and Diggle is the Arrow. Oliver is the first one to realize what is going down here and convinces everyone one-by-one that this isn’t real. The tension is so well done here…Oliver and company can actually enjoy this hallucination and choose to live happily for, what it seems like, the first time. After realizing that its best for them to face reality and fight, they’re greeted by the villains of the past season for this EPIC fight scene where our heroes fight the ones they have super personal beef with. Thea fights Malcom Merlyn, Oliver fights Deathstroke, and Sara finally gets to have her revenge against Damien Dahrk…and this whole thing was one of the best action scenes I’ve seen on any of these shows. Our heroes wake up and try to escape the Dominators’ ship on an alien pod, and are saved by the Waverider, where Gideon reveals to us that the Dominators are planning on using a weapon against earth.

Legends of Tomorrow – The concluding episode of the entire crossover felt like Television’s “Avengers”. Most of the action takes place here as everything wraps up,  after a time-traveling shenanigan with some of the Legends (what else is new?). It was one of those moments where your inner-12-year-old was so hyped that you begged your mom for a Flash action figure as soon as the episode was over. I can’t even explain it through words, its one of those things where you just need to watch it yourself. Oh, and that final scene with Barry and Oliver having a drink? Perfect.

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The funniest thing I heard all week (Superman Returns, if you don’t get it).

I’m not sure that a crossover would be such a good idea in the future, since there are few circumstances that could actually get the 4 shows together. Since this was the first one, it was acceptable to use “generic faceless army” as an excuse for some awesome superhero fan-service. This is one of those things where I geeked out so hard, probably to the point where my rationality gets a little skewed…knowing that, I’m still giving the DCTV “Invasion!” crossover event an 8/10.

I apologize that my Pokemon Sun review is taking so long, i’m still playing through it! I WILL write about it once I’m done. As for the Suicide Squad extended cut, I’ve decided not to review that and instead give my thoughts on the DC films as a whole in a future post. Let me know if there’s some content you think I’d enjoy that you’d like me to review, and please help me get my blog some more exposure if you like what you see!

That’s all for now,
Soggz out!

 

What Hurts the Modern Comic Book Movie?

From the 70s-90s, DC reigned supreme on the silver screen with their Superman and Batman movies, which captivated audiences everywhere. Fast forward to the early 2000’s, and the world was blessed with two X-men and two Spiderman movies, showing everyone that comic book movies could be amazing summer blockbusters, be entertaining and well-done, and be a gold-mine for Hollywoo (that’s not a typo, watch Bojack Horseman). Unfortunately, we were then hit with a barrage of horrible comic book movies that never seemed to end: Ghostrider, Daredevil, Elektra, Fantastic 4, Green Lantern, etc. In 2008, we were all blown away by DC and Marvel as “The Dark Knight” gave us Oscar-Worthy performances, and “Ironman” took a B-list superhero and propelled him to greatness (we can excuse the small hiccup of Ironman 2). Now we are in 2016 with three major cinematic universes for comic book movies. Comic book sales have been bumped up by new and eater readers. Its safe to say that Comic Book movies are here to stay and have become a major part of our pop culture.

So what makes a comic book movie “bad” nowadays? I’m not talking about the dry argument of “they’re formulaic, they’re all the same, I don’t like them”. I truly believe that we’re past the absolutely atrocious films (excluding the 2016 “Fantastic 4″…oh my) that are so poorly written and done, so what mistakes are being made in the modern Comic Book Movie? In this piece, I’m going to hit a few points that I’ve noticed in my long history of watching these movies. [MILD SPOILER WARNING] for the movies I use as examples, even though anyone reading this has probably seen most of them or (at this point) shouldn’t care about getting them spoiled.

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Already accepting that I’m going to sound like a butthurt fanboy for the duration of this piece

1. “Spiderman 3 Syndrome”

Yes, this is a term I just made up, but I’m going to tell you why. Think back to “Spiderman 3” and where the first two movies left off. All the major events that have moved the plot forward have culminated into Harry Osborn being the villain. However, for some reason this movie decided not only to have Harry and Peter’s conflict happen, but to include the entire fiasco involving the venom symbiote, AND add in the subplot of Flint Marko being accused of Uncle Ben’s murder and turning into Sandman? It sounds a little ridiculous to put all of that into one movie, and it was! Especially when you throw in more MJ/Peter drama (which felt like the same fight that they’ve had for the past two movies), Gwen Stacy, and inappropriate jazz choreography. When it comes to the flow of the story, Spiderman 3 can be simply described as a trainwreck.

Other examples include:

Dark Knight Rises: They tried to have Bane, Catwoman and Talia be important and have Bruce Wayne suffer a broken back, heal a broken back, and return to Gotham to fight his nemesis, save the day and name a successor. Despite still being a well-done film, it ends up being the least compelling of the trilogy with parts of the movie that felt too slow and other parts that felt too rushed.

Suicide Squad: I didn’t speak about this too much in my Suicide Squad review, but dear lord what a sloppy movie. Upon rewatch, when they introduced Katana in about 30 seconds, I definitely had my hands in my face. She’s such a cool character that we’re probably not going to see again, and her presence didn’t really hurt or add to the movie. There’s just too much in this movie that the audience ends up disregarding. Side-note: When you spend literally 5 seconds on Slipknot’s exposition, we all know that he’s totally going to die within the next few scenes.

I’m not saying that there shouldn’t be more than one villain in a Comic Book movie. I’m even open to having more than one sub-plot that’s also taking place. But when a movie tries to rely on bringing multiple iconic characters and scenes to life in the same movie, often times the characters and their motivations become overshadowed by other poorly executed sub-plots. What was originally a selling point in the trailers becomes a weak point in the overall story structure. If you want to see a movie that did this right, “Captain America Civil War” made it work by focusing everything back to the central conflict.

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Lord have mercy on my soul

2. Set-Up Movies

Remember when Sony had claims to a Spider-Man Cinematic Universe? It felt like they were trying to give Disney and the Avengers a huge middle finger, and they announced a slew of Spider-Man movies, including a “Sinister Six” and “Venom”. One of the big reasons that “The Amazing Spider-Man 2” just wasn’t a great movie was because they spent so much quality run time trying to establish a cinematic universe that they didn’€™t really accomplish anything big in the movie itself. When movies get so caught up in the big picture, we lose quality in the standalone film that we paid 10 dollars to go see, leaving the audience feeling somewhat empty and unfulfilled.

Other examples include:

Any movie from the Marvel Cinematic Universe that sets up an infinity stone or feels like a glorified advertisement for a new Avengers film. I’m looking at you, “Thor: The Dark World”.

Fant4stic: I’m not joking when I say that this movie is about 90% exposition that leads up to nothing notable and keeps acting like there are 4 sequels confirmed to follow it. It feels like you’re in stasis for a good 100 minutes only to be slapped in the face at the end.

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Apparently, we only start after 3 set-up movies

3. Crossing into the realm of obscurity

This is something I’ve only really noticed recently. Casual fans of comic books, think back to “Batman V Superman” and be honest with me. Did any of you fully understand what was going on during Bruce Wayne’s dream sequence when some guy in a portal started yelling something at Bruce about Lois Lane being the key? I’d be shocked if any of you did. It’s always nice when filmmakers throw in a nod or two to the comic books, but sometimes it just leaves the audience even more confused than they originally were.

Examples include:

Batman V Superman: The “knightmare” sequence was undoubtedly a cool and well done scene on the cinematographer’s end. However, If I leaned over to my Dad and whispered “Psst, this is a nod to the Injustice series. Also that’s Darkseid’s insignia and those are Parademons from Apokolips”,, his head might’ve exploded on the spot.

X-Men Apocalypse: I watched this one with a friend who’s seen the other X-men movies, but isn’t a comic book fan by any means, and he didn’t really know how to react to a few scenes. It’s great that you wanted to give us Caliban talking to Mystique and then Apocalypse, but to most of the audience, he’s just a guy that looks weird. Not only that, after the post-credits scene revealed that Nathaniel Essex was going to be a part of the big picture now, some guy in my theater yelled out “Does anyone get that?” and the rest of the theater erupted into laughter.

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Casuals be like: Darkseid confirmed! (no, seriously, who the hell is Darkseid?)

4. “3Edgy5Me” Syndrome

This is another phrase I tend to use that no one else does, but I can explain! I love Nolan’s Batman trilogy…but I also hate that other creators said “Holy tragic story, Batman! This is so successful, maybe we could do this with every superhero!” Unfortunately this led to an onslaught of superhero stories that are described as “Dark and Gritty”. Most of these were so ridiculous that I’ve reached a point where I laugh when I hear those two words because I just know that the movie is going to be bad to an extent. It is a given that the protagonist of a film faces struggle and adversity constantly. However, when an uplifting character is turned into a tragic character, it tends to be forced and poorly executed. Not everyone can be Batman or Daredevil, that’s why unique and different characters are created so that more audiences can relate! Being edgy just for the sake of being edgy is just dumb, the movie doesn’t need to be dark to be compelling.

Examples:

The Amazing Spider-Man: Did anyone find all of that “untold story” nonsense about his parents and finding subway tokens in his dad’s calculator to be memorable at all? Throw in his romance with Gwen being “so wrong but so right” or whatever they were going for. I swear when I was watching both these movies I got Deja Vu from the “Twilight” series (I promise we can make fun of the fact that I’ve seen more than one of those later). At the end, it felt like the only reason they killed Gwen Stacy off was to have something bad happen to throw Peter into a depression that eventually gets out of in about 5-10 minutes of run time.

Arrow: This obviously isn’t a movie, but ever since season 1 of the show, people kept commenting about the odd similarity to Batman. I had an open mind, but I just had to point out that in season 3 they LITERALLY tried to make him Batman. Almost everything that happened to the character in season 3 of the show was derivative of Batman. The two were about as different as “A New Hope” and “The Force Awakens”. It was just so odd, I watch Arrow because I want to watch Arrow. I don’t watch Arrow to get a poorly-done version of any given Batman vs Ra’s Al Ghul comic.

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So there’s my humble opinion on what common errors are made in the modern era of Comic Book Movies! As always, let me know what you think because I love discussion and help a nerd out by sharing!

That’s all for now,
Soggz out!

Suicide Squad – Movie Review

Never before have I seen a movie that is more perfectly described by the phrase “Hot Mess” than this one.

“Suicide Squad” is the third installment in the DC Cinematic Universe and introduces us to a team of criminals that are brought together by the Government to save the world. The group is DC’s “band of lovable misfits” trope, and the movie looks like it was meant to be their answer to Marvel’s “Guardians of the Galaxy”. The movie is really fun, and many aspects from other Suicide Squad stories are present and accounted for. There is no absence of action scenes, and the tone is much more lighthearted than “Man of Steel” and “Batman v Superman”. Despite any of the good things that the movie had going for it, the reality of the situation is that this is one really messy production.

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A few things are obvious to most of the audience after watching the movie. One is that some scenes are clearly re-shoots and that a lot of footage is left out or replaced. If I were to re-watch the trailer, I could point out many parts that looked really cool that didn’t even end up in the final product. I remember hearing (anyone is more than welcome to fact check me if I’m wrong) that new scenes were re-shot after the success of “Deadpool” to make this movie funnier. Even if that is pure speculation, its very believable seeing as how some of the dialogue and “jokes” felt forced or poorly written. When it comes to the editing, it almost feels like the scenes in each act were just thrown together while someone hit the “shuffle” button in hopes that it would work.

Another thing that didn’t work for the movie was that it was really difficult to care about the main conflict. The entire plot and most of the action became predictable and felt like it had no consequence. Even when looking at it as part of a bigger universe, the events don’t really have an effect on what we know to be coming in the DCCU. There is a connection that is eventually drawn to the Justice League, but I was hoping that we could’ve seen more emphasis of the bigger picture: humanity taking reckless action against super-humans out of fear.

The acting and portrayal of some of these characters is actually one of the pros of this movie. Will Smith has done a fantastic job of playing Deadshot, and audiences are able to feel his personal conflict between his job and his family. Margot Robbie did very well, and a nerd could see that she took some of Harley’s behavior from “Batman: The Animated Series”, which is never a bad thing. I feel like enough people aren’t talking about how Viola Davis is exactly what Amanda Waller is supposed to be, and gave a stunning performance of this shady, ambitious, and bold character. Jared Leto played the most interesting Joker I’ve seen but I feel like any critic can’t make too much of a judgement because (apparently) a big chunk of his scenes were cut. Regarding everything I saw, I’ve definitely never quite seen in a Joker before, and that made me happy and eager to see more. Lastly, my honorable mentions for a cool character go out to Joel Kinnaman and Jay Hernandez as Rick Flagg and Diablo, respectively.

Truth be told, I recommend seeing this movie in a theater. Know that it is flawed and know that there will be moments where you find yourself very entertained, and go see the movie for yourself! Its no abomination, its worth the money and time. So now that the first part of my review is done, lets dive in to spoilers!

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[SPOILERS START HERE]

So we’re introduced to our squad members via exposition from Waller. I could tell they were going for a more compact movie and that some characters were to be more important than others, but I feel like this could’ve been done a little better. The scenes we get of some of the squad members being apprehended by heroes are fantastic (Ben Affleck is a gift from the Comic Gods and I shall hear nothing bad about him as Batman), and even Flash shows up! We’re introduced even further to characters like Rick Flagg and June Moone aka Enchantress. We get a reveal where Waller is able to control Enchantress, and we find out June and Flagg are romantically involved…and hilarity ensues! Just kidding, its obvious at this point that Enchantress is going to lose control and be the villain and Flagg is going to be conflicted.

After all the exposition and interactions we get the main plot of the villains (oh yeah, there’s two now!) which is *drumroll*…A FACELESS ARMY WITH A GIANT BLUE BEAM IN THE SKY!!! Yes, really. They went with the biggest cliche in the modern comic book film when it has already been cliche for years now. This is why there appears to be little consequence in this movie’s action. Anyway, the squad is assembled and all receive bombs in their necks in case Flagg or Waller deem it necessary. Here we get lazily introduced to even more minor characters like Slipknot and Katana, the former of which is literally here to demonstrate that anyone who disobeys orders will die. I’m not saying that his death didn’t need to happen, I’m saying it just didn’t matter because they already establish how irrelevant Slipknot is, which makes it no shocker that they kill him. While Amanda Waller speaks about how expendable these people are in this movie, its funny because some of these characters are expendable to us, the audience, and their presence didn’t affect the story at all. Its as if the characters of the team are placed into tiers: “Important”, “Sort of Important”, and “Meh”. Additionally, barely any of the characters build relationships with each other aside from snarky comments and death threats. Deadshot and Harley establish a friendship, Deadshot and Flagg end up as frenemies, Diablo shows a little humanity, and Captain Boomerang shows his love for pink unicorns…that’s about it.

So after a scene where Joker tries to escape with Harley and gets his chopper shot down (which no one believed was actually consequential for one second), Waller gets kidnapped by Enchantress and more stuff with little explanation happens. The bar scene where all the characters “give up” and drink is actually really cool, and Diablo gives us his story that ends up being one of the only compelling parts about this movie. Flagg shows up and the Squad decides that they’re gonna go through with the mission, and then we get this crazy, Tranformers-esque battle scene with a whole mess of CGI and explosions. The movie wraps up with Joker breaking Harley out of Belle Reve, and Bruce Wayne striking up a deal with Amanda Waller so he can do Justice League things in a future movie.

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There really isn’t much to this whole movie in terms of substance, but I would be lying if I said I wasn’t at least having some fun. If you want to see a well done Suicide Squad movie, I highly recommend checking out the animated film “Batman: Assault on Arkham”. As for the movie in question, Suicide Squad gets a 5/10.

So those are my thoughts on Suicide Squad! As always, I would appreciate all of your likes, shares, feedback, comments, etc.
That’s all for now,
Soggz Out!

Batman v Superman: Dawn of Justice (Ultimate Edition) – Movie Review

The ultimate edition of BvS fixes the issue of a messy story and provides a more wholesome movie.

NOTE: This review is for the ULTIMATE EDITION of the movie, aka the director’s cut. I wont be going much into the details of the plot because it came out in March, this one is mostly a comparison of the theatrical and extended cuts of the film.

Batman v Superman: Dawn of Justice was one of the most anticipated films of 2016, with hype building up among fans well before the release date.However there was a slight hiccup with the movie…it was a mess. I was excited to see the movie that the Warner Bros. executives had given a standing ovation to, but somehow I didn’t feel like that was the movie I got to see. Fast forward to summer and the release of the ultimate edition, I finally realized that the movie we all saw in theaters wasn’t the original movie, and this is one of the few cases (for me, at least) where the extended cut is the only version of this film I would watch.

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When it comes to the theatrical cut, I had positive things to say about the cinematography and I had gripes with certain story elements. I didn’t think that it was so horrible that it deserved a 27% on rotten tomatoes, and I hate that on the internet you’re only given the options to worship it or despise it. I thought it was “okay”, and my biggest problem was the poor editing, a choppy flow, messy story structure, and the fact that it was trying to accomplish so much in 2 and a half hours. To me, the worst kind of comic book films end up being the ones that are so concerned with expanding their universe (see: The Amazing Spiderman 2), and since this is only the 2nd film in the DC Cinematic Universe and they wanted to try and hit the Marvel Cinematic Universe’s popularity that was built up for 12 movies…its no wonder that BvS fell flat on its face at some point. Essentially, there were 5 different movies all jam-packed into one, and that let to discombobulation.

After really thinking about it and changing my rating about a billion times, I gave Batman v Superman: Dawn of Justice (Theatrical Cut) a 5.5/10

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Since I really wanted to like this movie, I’m pleased to say that the ultimate edition definitely fixed this issue I had with the film. This version, simply put, felt like a wholesome movie. It wasn’t choppy anymore, it actually flowed, so many things that initially raised a question mark finally came full circle. Due to the nature of this review being comparative, I’m going to make it easy on my readers and talk about things via a list.
[SPOILERS BEGIN HERE]

1. Lex Luthor’s plan makes a little more sense: It was still extremely convoluted and complicated, but that’s how Luthor is supposed to be. There were some scenes added where other characters uncover secrets and Luthor’s motivations/activity become clear.

2. Superman is more likable: We get scenes of Clark Kent being an actual reporter, we get to see him unravel the mystery of Batman all for himself and reach the point where he starts to view Bruce as the villain. Basically, we got the other side of this story in the extended cut instead of seeing more Batman than Superman.

3. Lois Lane isn’t as annoying: She gets a purpose in the extended cut similar to Clark doing his research on Batman, except she’s doing her research and uncovering things about Luthor. It doesn’t feel like she’s there because she “has to be” or because of the star power of Amy Adams.

4. Arkham Asylum: I still have no idea why they couldn’t just put this in the theatrical cut, it would’ve been an extra 20 seconds that would’ve been a cool name-drop. Basically Batman visits Luthor in his cell (my stars, what a scene) and Luthor still feels accomplished and that nothing will happen to him. That’s when Batman drops the bomb that he’s being transferred to Arkham Asylum and the shrewd smile from Luthor’s face vanishes. It was awesome.

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Despite this huge issue of horrible story flow being fixed, here’s what didn’t change that I didn’t like. Less detail will be given here because these are still the same complaints from the theatrical cut, but you can always ask me for specifics outside this review!

  1. Jesse Eisenberg….what are you doing? I’ve heard a lot of people try to defend this one, I just can’t get behind it. I’m all for different interpretations of a character, but it just didn’t work in this case.
  2. Wonder Woman is still a tacked-on part of the movie. I really would’ve loved it if she had more screen time.
  3. Someone had to have realized that certain references they were trying to make weren’t going to stick. Look, I know what a motherbox is and I know that Darkseid is the future villain of the DCCU. That doesn’t mean everyone is going to know these things when you shoehorn them into the film. Despite the now 3 hour run time, its STILL too much content for one movie.
  4. The Justice League is revealed because of an email. This might be the laziest way to introduce a future part of a cinematic universe that I’ve ever seen.
  5. Unfortunately, the 30 minutes that were cut didn’t include any of the fight scene. Its still only an 8-minute fight with sub par action. Batman beating up the goons in the warehouse is still the best part of the movie when you only take action into account.

Batman v Superman: Dawn of Justice (Ultimate Edition) is an improvement, and gets a 6.5/10
For fun, here’s how the other two studio’s comic book films of the summer ranked for me:
1st Place – Captain America: Civil War, 9/10
2nd Place – This movie
3rd Place – X-men: Apocalypse, 5.5/10

Those are my final thoughts on BvS, as always I’d really appreciate shares, followers, likes, dislikes, discussion, etc.
That’s all for now,
Soggz out!