The Worst Spider-Man Movie Of All Time

Just a Friendly Neighborhood Reminder

WARNING: Mild spoilers for all Spider-Man movies from 2000-2019 (excluding Spider-Man: Far From Home), MCU movies with the character (including Avengers: Endgame), and a LOT of language due to unyielding rage. This is definitely a more “negative” post meant to be angry-funny, so I apologize to readers that aren’t fans of that. I DO want to thank you all for the immense support on my last two posts about The Battle of Winterfell and the X-Men. I honestly wasn’t sure if I’d write again during my hiatus, but since I started doing “once a month” in April I’ve been met with more views and positive feedback, so thanks for reading. Look forward to more nuanced and/or entertaining pieces every month!

Spider-Man is an extremely personal character for almost every nerd in the world. Saying that “my favorite superhero is Spider-Man” is the geek version of saying “my interests include traveling, dogs, and The Office” in the sense that no shit, everyone likes those things. However, there’s way more nuance and emotion behind fans’ love of the character of Spider-Man. Who knew that the superhero whose relatability spanned generations would be an awkward underprivileged nerd who chooses responsibility and tries his best, but is constantly hit with reality and uses humor to cope?

A certain charm of Spider-Man is that regardless of his numerous and seemingly incessant struggles, Peter Parker tends to just be “the best of us”. In the MCU alone, this is seen through many moments across the movies including telling Tony Stark that he couldn’t go to Germany because “he has homework”, blasting off into space to fight Thanos because “he can’t be a friendly neighborhood Spider-Man if there’s no neighborhood”, and carrying the Infinity Gauntlet across a chaotic battlefield. This shows us that the young Peter has a heart of pure heroism that rivals even Captain Steve Rogers’, which is arguably why Tony (and audiences everywhere) is so fond of Peter. Even Tobey McGuire’s portrayal of Peter Parker ( in Sam Raimi’s trilogy) had its own campy charm, and Spider-Man 2 (2004) itself is hailed as one of the most successful and acclaimed comic book films of the 2000s. 

In the midst of these versions of a Silver-Screen-Spider-Man, unfortunately we had to deal with The Amazing Spider-Man (2012) and The Amazing Spider-Man 2 (2014). Two years ago I did a series called “Hype for Homecoming” (this was a very different blog back then) and I wrote this absolute mess of a piece breaking down just how much The Amazing Spider-Man pissed me off. I basically went off on how Andrew Garfield’s Peter Parker was an unlikable creep, they promised us Spidey would be funny but only gave us one real scene (which was in the trailer), it was incredibly inconsistent with tone, and that there was no heart to the movie because its purpose was to set-up another one. 

Today I will do what I have been wanting to do for a long time now, and set in stone that The Amazing Spider-Man 2 is a dumpster fire, and the worst Spidey movie ever conceived. It is 2019 and this is somehow still not accepted as universal fact, when it 100% should be. It triggers me when I see a power-ranking of Spider-Man movies and this one is not at the bottom. This is not only a bad Spider-Man movie, it is also just a bad movie, period. 

To be honest, my hatred of this movie didn’t start right away. I remember seeing it in theaters and thinking it was “okay”. It was only years later, when I re-watched every Spidey movie to prepare myself for Spider-Man: Homecoming (2017), when I realized that this was so bad because I genuinely could not even finish it. This script has absolutely no fucking idea what it wants to accomplish. It gives off the impression that Sony wanted to do cool stuff with the Sinister Six but were compelled to make two set-up movies and treated them like an inconvenience. They tried to make them different from Sam Raimi’s in minuscule ways, portray that in trailers, and then they didn’t care what the hell else was going on as long as they got to throw everything in there that said “be sure to come back when we do Sinister Six and Venom”. This results in an incredibly unfocused narrative and zero semblance of a cohesive plot. 

“Well ackshually, Spider-Man 3 (2007) is the worst Spidey movie because that’s just so obviously the worst, right? Remember the Peter Parker jazz hands?!” 

Okay, sure, but you know what? At least the jazz hands make me smile in hindsight. At least I know what Peter’s whole deal is and all the stupidity at least falls into a structured story. At least the villains have some fucking realistic motivations. At least there’s some tension as to what’s going to happen. At least the final fight with the Goblin + Spidey team-up is cool. I don’t give a flying fuck about your web shooters, or your precious quips, or how handsome Andrew Garfield is, I don’t see any value in a Spidey movie which leaves me confused on the story and the characters! I can sit here and rant for hours about how there’s nothing to take away from this nonsensical clusterfuck, so let’s get to some specifics before this post becomes as disorganized as the movie itself.

PETER PARKER’S PARENTS

If you look at the marketing for the first movie, there was an empty promise about “The Untold Story”, bringing Peter Parker’s actual parents into the mix and using them as plot devices to connect the dots. That marketing made much more sense in this movie instead because it barely came into play in the first. Even in this one, the subplot was “resolved” in the most unsatisfying way possible. We OPEN this movie with some kind of knockoff Dark Knight Rises “Bane on a plane” sequence where Richard Parker is trying to upload some video explaining his disappearance, only to be attacked by an assassin of sorts. One can assume that this is probably going to come into play and be a huge plot point going forward. Especially because Peter does some Charlie Day shit and makes a stereotypical “conspiracy theory” wall, only to tear it down later, throw a graphing calculator at the wall, breaking it to reveal subway tokens…which then leads him to a secret underground train where he finds the super secret video that his father uploaded in the opening sequence…yeah, I know. Wow. 

Anyway, the BIG REVEAL is that Richard made the genetically altered spiders and that Norman wanted to weaponize them and there were ethical differences between the two. Except WE ALREADY FUCKING KNEW THAT FROM THE LAST ONE THROUGH SUBTEXT AND HEAVY IMPLICATION. If you wrote this entire story-line out of both movies, literally nothing else would change! 

GWEN STACEY AND HER RELATIONSHIP WITH PETER

Gwen Stacy is a phenomenal character in the Spider-Man mythos, and Emma Stone is a great actress, which is why this portrayal of Gwen is just tragic. She has no real purpose other than to be this intense reminder of guilt for Peter that he constantly ignores (because again, Peter is barely even a hero in this series). She had like ONE throwaway thing in the last movie about how “she’s lived the life of a cop’s daughter so she worries about Peter”. It was a sweet moment that continues to not matter as all the intelligence and independence we know and love Gwen for just goes right out the window. 

The relationship between Peter and Gwen is so on & off that it feels like they’ve gotten together/broken up somewhere in the double digits. Regardless of how nauseating this somehow “shittier than Twilight” romance is, this really SHOULDN’T BE an on and off thing, right? If your girlfriend’s dad’s last wish was to leave his daughter out of your vigilante shenanigans, you REALLY shouldn’t be constantly trying to make the relationship work and outright stalking her. I understand the need for romance in this, but couldn’t the main “subplot” have been that they’re trying to be friends? Couldn’t Peter have been distant, leaving  Gwen to make her own decision as to who she wants to spend time with? I don’t get why plot is constantly pushed through Gwen, as she has interactions with BOTH villains before they become villains, and shows up at nearly every dangerous situation Spidey finds himself in. 

Aside from that, her death just felt super cheap, like it became REALLY apparent how dirty they did her character. I get that they were trying not to make a “damsel-in-distress”, but that means giving Gwen her own thing and taking charge of her life, not just literally saying the words “ITS MY CHOICE TO BE HERE PETER”. If you had two villains, you could’ve easily had Gwen at Oscorp figuring shit out/dealing with one of them the entire time. I feel like all the time they spent on these tween-love scenes between Gwen and Peter is time they could’ve spent actually developing Gwen.

HARRY OSBORN

Oh great, another of my favorite characters done in the shittiest way possible. What’s worse is this is the script’s fault AND the actor’s fault. Even considering how we know now that James Franco is a creepy dude, I’d still defend him as “my Harry Osborn” because Dane Dehaan is just awful in this role, and the character itself here is even worse. Oh, by the way, Norman Osborn is just totally a non-issue because he’s dead…because of some retro-viral-something-or-the-other that’s taken years to kill him, slowly deforming him into what appears to be a goblin (love the subtlety here). Anyway, because this stupid disease makes no sense, Harry apparently has no time and it seems like he’s going to die in a matter of months? Also if Peter and Harry were friends beforehand, how was Peter so confused about everything Oscorp related in the last movie?? You don’t know your way around the facility at all, but you’re best friends with the heir of the corporate empire?

Perhaps the biggest bullshit regarding Harry is this BEYOND STUPID spider blood plot line. Apparently as Harry starts to research what could possibly cure him, he comes across information that leads him to believe that the radioactive spider’s blood is the cure to his goblin illness (which at this point looks like an infected hickey). So he asks Peter to “ask Spider-Man” and Peter visits him as Spider-Man just to say “nah sorry bro”. I can not emphasize how many times I legitimately thought this movie was written by two college screenwriting majors shroomed out of their minds. 

They also choose to resolve this by having Harry’s assistant basically tell him “hey there’s some weird stuff in the basement” and Harry gets a vial of the spider blood he craves (is this an appropriate time to mention that Sony’s doing a Morbius movie starring Jared Leto? Look up Morbius if you don’t know and just imagine that shit-show hitting theaters soon). Just as Peter predicted, this injection accelerates his disease and makes him look like a Goblin too…but he’s suddenly fine because he HOPS INTO THIS MAGICAL GREEN GOBLIN SUIT THAT STABILIZES HIM. If you had the technology all this time to keep this disease at bay…??? Oh my GOD this shit makes no sense whatsoever! 

So of course, naturally, he’s suddenly super good at being the Green Goblin right away, mastering the glider and everything. Then he goes to find Spider-Man for..reasons..and immediately deduces that its Peter and then shit happens and he’s gone. To top it all off as one final middle finger to the audience, Harry’s last scene shows someone inquiring about his life expectancy. He responds by saying “it comes and goes”. REALLY? REALLY??? God this is almost as bad as Peter’s last line about promises in the last movie!

ELECTRO

I think I’ve mentioned creepiness in this post more than any other I’ve written. That being said, even Max Dillon is a weird creepy dude obsessed with Spider-Man after one brief interaction. I always advocate for a good depiction of mental health issues in film, and for the life of me I can not figure out what they were going for here with Max’s psyche (thanks, psychology minor). As its been pointed out on the internet before, if anything, they were going for a modern version of Jim Carrey’s Riddler from Batman Forever (1995). Another shining example of comic book movie incompetence, wonderful.

As for Electro himself, the writers were clearly making up his powers as they went along. From the electric blasts you would expect, to fizzling out, to fast-traveling via electrical outlets…to…creating his own leather suit? I definitely had a “shockingly bad” pun that I was going to use somewhere here, but I don’t even want to take the effort to set it up anymore. It’s not like this movie made any effort to give us a decent antagonist. Also, of course, his motivation is ridiculously unclear. He’s obsessed with Spider-Man one minute, Spidey tries to calm him down in his first attack, then suddenly he has an inexplicable hate boner for Spidey. Speaking of which…

SPIDER-MAN HIMSELF

There’s this scene in a montage where Spidey’s just doing his thing, and he saves a dorky kid from some bullies. The kid’s science project is broken in the process, and Peter picks it up and repairs it. He then walks the kid back home, talking to him about the science project the way there. It is a damn shame that they showed that they clearly understood something about the character with such a gorgeous moment, only to demonstrate a total lack of understanding the character for the remaining duration of the movie. For the most part, my complaints are the same from the last one: Garfield’s portrayal of Peter is just not likable, and they made him into this faux-edge-lord whose own incompetence is half the reason things are bad around him. Oh, but so handsome, right? That’s all that matters, right? At least he told some jokes like Spider-Man always does, right? Yeah well while he’s telling jokes in this opening scene with Rhino, MORE PEOPLE ARE DYING. Peter doesn’t stop what he’s doing to be sarcastic while shit is going down just to get his two cents in, did you think he was Deadpool? Peter actually wants to save people first, his humor doesn’t get in the way of that…it’s more so meant to frustrate and mentally disarm opponents in a fight. Even if they timed it better, the humor just felt incredibly forced. I don’t think I laughed ONCE this movie upon re-watch. The suit looks way better this time though, so good job there I guess.

AS IF THAT WASN’T ENOUGH ON THE UNCLEAR PLOTS & SUBPLOTS, HERE ARE MORE

  • Aunt May – So apparently she’s trying to be a Nurse? I don’t know but that’s in there a few times and…I mean sure, but also why? 
  • The Sinister Six – Boy it is really hard to rewatch this movie and all the S6 setup when you know that it’s not going to happen because it all got cancelled. Speaking of which…
  • Rhino – Paul Giamatti, what the fuck are you doing? I know Rhino is supposed to be dumb as bricks, but he’s such a cartoon in a movie where apparently I’m supposed to be focused on struggles and dead parents and stuff? Oh also that super cool shot of the Spidey v Rhino fight in the trailer? Yeah, it’s just that. That’s where the movie cuts off. Fuck you, movie.
  • Felicia Hardy – Harry Osborn’s assistant, Felicia (played by Felicity Jones!), is listed in credits as “Felicia Hardy”…aka another character from the lore that many know as “Black Cat”. Why do I get the feeling that Black Cat was supposed to be here and just wasn’t in the final cut because someone in the writer’s room finally said something about how bloated this movie is. On that note…
  • SHAILENE WOODLEY?? – Many don’t realize this, but Woodley was meant to play Mary Jane Watson in this movie until all her scenes and any mention of the character got deleted. Which just further begs the question of how much shit were they trying to put into this one movie? The final cut was 142 MINUTES LONG, AND YOU’RE TELLING ME THERE WERE ORIGINALLY EVEN MORE CHARACTERS AND SUBPLOTS??

If there’s any takeaway from this post other than “movie bad”, it’s that cinematic universes need to be carefully orchestrated. You can’t just throw everything at the wall at once and give no sense of delayed gratification, and you certainly can’t waste time on a plot-line that doesn’t matter. Instead of trying to accomplish a billion different things for the sake of a franchise, maybe try to accomplish one thing first and just make a good/fun movie. There’s no point in creating an overarching story for a pay-off if everything else leading up to it makes no fucking sense. Things have been very good for Spider-Man fans lately, and one can only hope that the character isn’t used as a soulless cash-cow ever again like it was in this series.

Movie Review – Spider-Man: Homecoming

Stay until ALL the credits are over. You wont regret it!

[SPOILER FREE]

I’m just going to say it: Aunt May can babysit me any time.

Now that I got that out of the way, “Spider-Man: Homecoming”! Wow, I can’t believe we finally got here…the beloved web-slinger is finally in the Marvel Cinematic Universe with his own movie. You all know my thoughts on past Spider-Man movies and on Tom Holland already from my previous few posts, so we can dive straight in to this review.

This was a very fun, light hearted, character focused, coming-of-age story for the character of Spider-Man. It was the type of movie that could get you to smile solely off of its charm and vibe. Admittedly I had to sleep on this one to really figure out where I stand, and I hope that my audience understands that I’m extra critical when it comes to characters like Spider-Man and Batman because of how much they’ve done for me (hell, if we EVER got a Batman-Beyond movie, that would probably be my biggest challenge as an aspiring critic). While I will NOT say this is a better movie than Sam Raimi’s “Spider-Man 2”, I will say this is the best Spider-Man movie we’ve gotten in the 13 years since Raimi’s second one came out.

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Peter is actually a sophomore in high school throughout this entire movie, and its fantastic. My favorite parts about this movie were all the grounded moments between the characters that impact Peter’s life: Ned, Aunt May, Liz, Flash, and Michelle…they were all great and it really felt like “high school” to me. Peter has high school problems while trying to balance being Spider-Man, and wants to do MORE as Spider-Man so he can be over high school already, and I felt like that was a very important trait/arc that they gave his character. I’ve already mentioned that I love Holland, but this casting for the supporting characters was also fantastic. Holland’s chemistry with Jacob Batalon (Ned) was absolutely perfect, Zendaya did what she had to do well with her character of Michelle, I loved Laura Harrier as Liz, and yes…I even liked Tony Revolori as Flash. While some might see these moments as a drag in the first two acts, I thoroughly enjoyed them, as they helped establish a young Spider-Man with a bright future.

Like I mentioned, this was just a very fun movie, and despite how cliche the “MCU snark” is getting, I actually laughed a lot during this movie. It wasn’t even because Spider-Man himself was a funny character (he was, don’t worry) but it was because of the right type and amount of jokes they threw in there that were out of the ordinary and matched the setting. For example, Hannibal Buress plays a gym teacher that shows a video of Captain America talking to the kids about a fitness challenge, and he makes a side-comment saying “I’m pretty sure this guy is a war criminal but whatever I have to show this” and I lost it. Even that stupid moment of “SPIDEY, DO A FLIP!” had so much charm to it, and I like that they catered the humor to the character’s situations rather than just having people throw quip after quip at each other.

Let’s talk about Michael Keaton and his character of the Vulture…Wow. The early reviews were right, Keaton gives us one of the best MCU villains we’ve seen (not that hard to do, but still). I was a little worried because Adrian Toomes is a tough character to make impactful throughout an entire movie, but they actually made it work by making him one of the people affected by the Avenger’s shenanigans. It was a good decision because while Toomes and his operation started because of unfair treatment by the Government and the Avengers, it related to the smaller scale of New York and made sense why Spidey would deal with this instead of SHIELD or something…because we forget that when he’s doing his own thing, Spider-Man IS a street-level hero. We get a relatable hero and villain with depth, and we get a lot of insight in to their motives and what makes them tick.

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Because this is Spidey’s “Homecoming” (haaaa) to the MCU, there are MCU references everywhere. Hell, there are even Spider-Man comic references everywhere. This movie takes place a few months after Civil War and we get to see a little bit of an “aftermath”. Robert Downey Jr. is, as most of you know, in this movie..but not as much as you would think, thankfully. He has a presence as a mentor and that is it, there’s no epic showdown with villains vs Ironman and Spider-Man despite what the PR might make you believe. Despite this, Marvel Studios comes swinging with this movie to say “Hey. Guess what. We have Spider-Man now.”…which actually brings me to my cons with this movie.

While the “MCU-building” aspect is cool…at times this movie can feel more like a “Marvel movie” rather than a “Spider-Man movie”. We’re all familiar with the MCU setup movies that don’t stand alone very well, and Homecoming has slight hints of this. Spider-Man IS the Marvel Comics poster-boy, so I kind of assumed that this story would be more grounded in his reality than it already was. While the light-heartedness was great, the movie lacked a sense of intensity and subtlety when it would’ve been appropriate, and most of the events didn’t feel as consequential. This is where I veer off from what others are saying in me saying that I wanted MORE. There was one scene between Toomes and Peter without their super suits that has so much tension..but that was the most that movie went in that direction where I feel like it had more potential. Spider-Man is a great character and I feel like at some point, the decision was made to play it safe with certain parts of the story. To be honest, I’m having trouble explaining why I was so bothered at some points…but I wanted to get this review out as quickly as possible so I hope I’m making sense (edits will be marked).

Also, this isn’t really a point about the movie…more about the marketing…but DAMN, trailers really messed this one up. I can honestly say that the less of the trailers/PR you ate up will mean a better time for you when watching Homecoming.

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“Spider-Man: Homecoming” has its moments where it very much feels like a product of a cinematic universe, but more than makes up for it with moments of charm and the understanding of a different kind of hero. I’m giving Homecoming an 8.5/10.

 

Hype for Homecoming: Spider-man

Part 1 of 5: “Booooone-Saaaaw is reaadyyyy!!!”

Welcome to the first post of my “Hype for Homecoming” series! As of this going live, we are officially just 4 weeks away from the release of “Spider-man: Homecoming”, with Tom Holland reprising his role from “Captain America: Civil War” as everyone’s favorite web-slinger.

To give a background of what Spider-man means to me…well…I was a nerdy kid that got picked on relentlessly at school…so you tell me who I looked up to. Yes, I’ve said multiple times that I watched the DC animated universe quite a bit as a kid, but really if I had to point to my childhood hero, it’d be Spidey. There’s always a soft spot in my heart for the web-head and even though I’ve grown up and have other heroes now, it doesn’t change the fact that Spidey is the Marvel poster-boy and that the first Spider-man movies, directed by Sam Raimi, were some of the few to set the stage for Comic Book Movies to take Hollywood by storm. Granted, we had to sit through a bunch of other “imitators” that ended up creating the trope of comic book movies being atrocious for most of the 2000’s…but I’m glad we’re past that now and its nice to look back and see some of the pre-MCU/DCEU original “Universes” (hell, Fox has been doing it since 2000 with the X-men, even though they don’t have as solid of a slate and flow when it comes to universe-building). So, without further ado, here’s my notes on Spider-man (2002)!

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Slide into those DMs like…

[WARNING: Posts of this nature aren’t traditional “reviews”. Expect the following: spoilers, potentially mindless ramblings, lack of proper sentence structure, and profane language. There is a summary section at the end of the bullet points that you can skip to for convenience.]

  • Holy hell, NO ONE looks like they’re in high school…thankfully they actually casted teenagers in Homecoming, but JEEZ I forgot how odd this looks. Anyway, we’re introduced to Peter Parker (Tobey Maguire), Mary Jane Watson (Kirsten Dunst) and WAIT WTF, IS THAT JOHN MANGANIELLO PLAYING FLASH THOMPSON? LIKE, THE GUY PLAYING DEATHSTROKE IN AFFLECK’S BATMAN MOVIE? Sorry, got distracted. We get a scene with the Osborns aka Norman (Willem Dafoe) and Harry (James Franco) and already we see some tension here with Peter getting shit from kids at school (high schoolers are dicks, just saying) and Harry getting shit from his father, so it makes sense why the two are such good friends to our audiences who’ve never read a spiderman comic.
  • So now we’re in the museum because the class is on a field trip, and we get some juicy exposition on what spiders can do (and eventually what Peter will be able to do) and some nice little development between Peter, MJ, and Harry when OUCH, radioactive spider-bite!
  • Remember the cliches of sci-fi/superhero movies from the 2000’s? So Norman is testing a super-soldier serum (check) but his board and the military aren’t thrilled about the results so far (check), so he’s given an arbitrary deadline (check) for human testing but since he’s running out of time and funding, he’s going to test it on himself (checkarooni) and eventually become a threat to himself and others (Check, check, check). I will say that I love Willem Dafoe and his freaky looking face for the role of Norman/Green Goblin, and I think he demonstrates it well when Harry finds him passed out on the floor, just some subtle acting choices you notice here and there.
  • So Peter wakes up after being bitten and spends the entire day finding out he has weird ass spider powers…which I feel like should’ve been a bigger deal when he had a literal web coming out of his arm and punched the biggest guy in school after doing a back-flip…must be New York public school system, I guess?
  • Dear Lord I forgot how much time they actually spend on these characters and how awesome it is. This is really just a theme for the entire movie…same with the casting, its all so good.
  • Uncle Ben, I love you. This scene with Peter being a total dick to his Uncle caring about him…they get this SO RIGHT.
  • Ahahaah I could never forget that Macho Man Randy Savage is in thi-WAIT WTF IS THAT OCTAVIA SPENCER? LIKE…FROM HIDDEN FIGURES? DAMN…WHAT A TIME TO BE ALIVE. Anyway,  as dumb as this scene is, its kinda cool to see Peter learn how to fight and gain some confidence against a professional wrestler, of all people.
  • This confidence turns into cockiness and Peter ignores his Uncle’s advice…and in turn, we get the first truly emotional scene in this movie with Uncle Ben’s death and Peter getting his petty revenge…and with this plus the graduation scene, In my opinion, the first act is over and now we get to Peter adjusting to his new life as Spider-Man. Also, side-note: This score by Danny Elfman…wow.
  • JK Simmons…its going to take me a long time to adjust to you being Commissioner Gordon…cuz this guy is ALWAYS going to be J. Jonah Jameson to me. This is PERFECT Casting in a movie that’s already casted so well. “No Job! Freelance!”…oh look, Peter Parker is a millenial like the rest of us hahahahahahasaveushahaha.
  • So now we get this sequence at the World Unity festival and it gets….a little corny. At the risk of sounding like a douche, this is definitely 2002 CGI…and wtf is this goblin-bomb that immediately turns the Oscorp Board into skeletons? But other than that its pretty satisfying to have our first real Spidey vs Goblin battle which ends with him saving MJ and winning the day. He even saves a kid, which is textbook Spider-man and I love it…its the little things with characters like Spidey.
  • Willem Dafoe’s scene where he talks to himself in the mirror just settles it, this guy would’ve been the best comic movie villain of the 2000’s if it wasn’t for Heath Ledger’s Joker. I’d honestly be okay if they never touched Green Goblin again…but of course they will.
  • I skipped a bunch so I don’t get redundant, but this end fight between Goblin and Spidey…holy shit Spidey gets his ASS KICKED. I actually like it, it always irked me when a Superhero suddenly had mastery of their powers within a few minutes of screen-time. This is such an emotionally driven fight and these actors are really conveying that..and by the end you actually feel kinda BAD for how Norman dies because there’s a small hint of him still left as soon as he gets stabbed by the glider (because he was faking before…I think) and I didn’t realize how GOOD of a set-up this was for Harry going crazy in the next two movies. Character development, y’all…its my favorite part of any movie.
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Okay, I laughed.

During this re-watch, I realized that this movie didn’t age as well with cinematography, but it more than makes up for it with story and characters. Despite it being a little cheesy, I do admire how much heart the direction and acting had to make the overall product something unique for its time. It feels surprisingly real, and I think that’s why this movie broke box office records in 2002. “Spider-man” is a fantastic origin story for an extremely lovable character, and leaves audiences moved, charmed, and wanting to see more..and they accomplished this without jerking themselves off and setting up a universe (hold on to that, seriously…because I promise you its going to come up again in this series). Tune in next week for the next part of the series, aka one of my favorite movies ever! As for this part, “Spider-man” gets a 8/10